Clark Kent (
stands_for_hope) wrote2015-05-26 08:10 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
The Double K Farm for At Risk Youth - How it Starts
It had been a hard year for the Kents.
The loss of a father, a husband, had hollowed out mother and son, though thankfully they'd managed to make due on the farm between the both of them. But that was just the financial parts. The farm felt empty without Jonathon Kent, their home felt empty, and Clark...
Clark was so angry with everyone, with everything. It wasn't fair.
He could do so many things, so many things, but he hadn't been able to do anything when his father's heart had given out. He hadn't been able to do anything when Jonathon Kent had dropped dead in a field while Clark was at school. He'd just been there to get pulled into the office, take the phonecall from his mother.
It was doubly hard to go through his days now. Before, there'd been a bit of a barrier between the people who liked to tease him; Jonathon Kent had been respected and folks had looked out for Clark because of it. They still looked for him, but now it was more about sympathy and less of a willingness to put themselves between him and trouble.
That's why he was here. Twelve years old, pushed against a chain link fence, holding onto the fence pole for their sake as much as his own. Anger boiled up inside him, anger enough to make his eyes start to lighten to red, anger enough to make him want to do things he couldn't do, shouldn't do. Because people were mean and cruel and they picked on weakness like a pack of jackals, even if the weakness was feigned.
I can't do it. I can't hurt anyone.
It was like a screen door trying to hold back a tidal wave. He was shaking and his eyes were so hot. He just hoped he could hold on long enough for them to get bored. Long enough for someone to wander by. He just had to hold on.
The loss of a father, a husband, had hollowed out mother and son, though thankfully they'd managed to make due on the farm between the both of them. But that was just the financial parts. The farm felt empty without Jonathon Kent, their home felt empty, and Clark...
Clark was so angry with everyone, with everything. It wasn't fair.
He could do so many things, so many things, but he hadn't been able to do anything when his father's heart had given out. He hadn't been able to do anything when Jonathon Kent had dropped dead in a field while Clark was at school. He'd just been there to get pulled into the office, take the phonecall from his mother.
It was doubly hard to go through his days now. Before, there'd been a bit of a barrier between the people who liked to tease him; Jonathon Kent had been respected and folks had looked out for Clark because of it. They still looked for him, but now it was more about sympathy and less of a willingness to put themselves between him and trouble.
That's why he was here. Twelve years old, pushed against a chain link fence, holding onto the fence pole for their sake as much as his own. Anger boiled up inside him, anger enough to make his eyes start to lighten to red, anger enough to make him want to do things he couldn't do, shouldn't do. Because people were mean and cruel and they picked on weakness like a pack of jackals, even if the weakness was feigned.
I can't do it. I can't hurt anyone.
It was like a screen door trying to hold back a tidal wave. He was shaking and his eyes were so hot. He just hoped he could hold on long enough for them to get bored. Long enough for someone to wander by. He just had to hold on.
no subject
no subject
"Thanks."
no subject
no subject
no subject
But one thing he'd been clear about was that the boys needed to be protected. Anything that FLAG dug up for him, he screened, and he talked about with Martha and Clark before he said yes. That was why, now, he'd finally said yes to a few people from parts of FLAG that were actually a little more public than he was. And one of them, at least, was bouncing with news. Michael didn't know that until he'd come downstairs to meet the van, to speak to them, and only then call Martha to see if it was okay for them to come.
no subject
"And the boys are all done with their work and their schoolwork. It's a good time." A pause and then--
"Are you bringing Mike with you?"
no subject
no subject
She breathed in.
"Is there anything I need to prepare? They're not going to make me fill out any paperwork or anything, right? And is there anything I should tell Clark about it specifically?"
no subject
no subject
"Well, is she a nice woman?"
no subject
no subject
no subject
no subject
She breathed in on the phone.
"I'll go get the boys set and toss a couple of pies into the oven. I can't tell you how much I appreciate this all. See you soon."
no subject
And then he was making another phone call to a place there in town he'd wheedled into adding something to their menu, and another call to KFC. He placed his orders (a ridiculous amount of chicken, potatoes, gravy, mac and cheese, baked beans, corn on the cob-- basically, some of everything) and then gathered Mike to go pick things up and go out to the Kent farm.
True to what he'd said, twenty minutes later, Kitt was driving up the driveway, followed by a black van that looked menacing - accidentally. He parked Kitt in the garage, and the van... Well, the van parked beside the garage, carefully placed so as not to take up too much space.
no subject
no subject
The van, though, gave over five people, and the first one out was the purple woman Michael had talked about. Indeed she was purple, with short, curly purple hair that bobbed above her shoulders. Besides her colouration, she looked normal: short, just a few inches over five feet, smiling, eager, happy, wearing jeans and sneakers and a T-shirt, with a satchel slung over one shoulder. Behind her came another woman, this one tall and willowy, almost looking like she would topple over in a strong breeze, her skin a warm brown and her hair long and straight, down past her hips. There was something about her eyes that said plainly that she wasn't exactly human.
A third woman climbed from behind the driver's wheel, and her muscle made it obvious just what her specialty was. Her hair was vibrantly orange, her skin spattered with freckles. Another was hard to pin down as male or female at a glance, but they were smiling, content-seeming, even a little eager with a head full of dark curls bobbing as they spoke with the purple-skinned girl. And finally, there was a man who was there outside the van one moment, gone the next, and then back, placing the handle of a large, hard-sided case in the hand of the woman who had been driving - who carried it like it was nothing.
"Hi," Michael called. "I come bearing food - and company."
no subject
"So I see," Martha shouted out with a good-natured grin and a tip of her head to the new arrivals. "How about you all come in and we can do introductions?"
Her hand was tight on Clark's shoulder.
no subject
But all of them did seem happy, eager, friendly - nothing dangerous about them at all. If anything, they seemed to be making a point of being nonthreatening.
Bucky peeked out of the door behind Martha and Clark, just as curious as they were, but making an effort to be polite.
"I hope everybody likes what I've got here. Chicken in original and extra crispy, a few pieces of roast chicken, and for Clark..." He paused at the top of the steps before reaching into the top of one bag and producing a smaller paper bag that he handed over. "Four grilled bell peppers with mushroom stuffing."
no subject
"Well," she started easily, "I'm Martha, and this is my son, Clark. Clark, sweetheart, these people are the ones Michael said he'd ask about... you. And your abilities. They're here to help."
Clark nodded up at her before tipping his chin to them warily.
"They're all different," he said carefully, eyes sliding around the room, "their DNA is different."
Then he turned to look at Michael and Mike.
"But I just looked and so's yours, a little."
no subject
"So... So I do have something?" Mike halfway bounced and Michael chuckled.
"Guess so, kiddo. But we'll figure it out later - right now, introductions." Michael motioned for them to come up. "Martha, Clark--"
Swaying to the side, he added, "Bucky.
"This is Meghan York--" he indicated the purple-skinned girl, who bounced a little on the balls of her feet and waved.
"Ahdri Panos--" The thin woman whose feet weren't touching the ground.
"Neala Murphy--" The red-haired woman who was thick with muscle.
"Emin Kartal--" The young man who had been so fast around the van.
"And Bani Cyle." The person who still didn't look committed to a gender, and seemed perfectly happy with that.
"They're all operatives from FLAG, and all of them have some sort of ability, like you, Clark."
Meghan grinned and, splaying her hands before her, set off a tiny little fireworks show between them. "Sometimes I do that when I get excited, without even trying to. Hi!"
no subject
"It's all right," he said softly to her, "sometimes... when I'm really happy I--"
And he closed his eyes and a peaceful little smile lit his face and his feet lifted a few inches off the ground for a moment before he plopped back down.
no subject
no subject
He was agreeing with her. He watched her curiously and closed his eyes again, slowly lifting up and pulling his knees up against himself. He held it for a moment before dropping back down on the ground feet first.
"It's a little weird."
no subject
It was Emin who volunteered, "I'll set the food out," and in less than a breath, and a familiar puff of air, the table had the chicken and sides appealingly arranged with plastic cutlery at each chair - he hadn't presumed enough to get out plates. That was a degree of nosy that he just didn't have.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...